Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
Philip Corner - Italian Air: Wind, Water & Metal
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  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal
  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal
  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal
  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal
  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal
  • Load image into Gallery viewer, Philip Corner - Italian Air: Wind, Water & Metal

Philip Corner - Italian Air: Wind, Water & Metal

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Format: vinyl LP
Label: Ricerca Sonora ‎- RS1 (Italy, 2012)
Edition #1: 30 copies signed and numbered by the Artist, on blue solid vinyl. With two inserts
Edition #2: 270 copies on black vinyl, with two inserts
Edition #3: 200 copies, including two inserts
Genre: Fluxus, Experimental, Contemporary
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Info & Description (from the original label info):
RICERCA SONORA proudly presents, as its first release (RS1), a new PHILIP CORNER album titled "Italian Air: Wind, Water & Metal (Aria Italiana: Vento, Acqua & Metallo)".
Philip Corner (b. 1933) studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messiaen. During the 1960s and 70s he was an active member of Fluxus, a founder (along with James Tenney and Malcolm Goldstein) of the Tone Roads Chamber ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son Of Lion (with Barbara Benary and Daniel Goode).
"Italian Air: Wind, Water & Metal" presents three previously unpublished compositions by Philip Corner recorded in various locations.
On side 1 "Ear Wave" (Venice, October 1994) is a long piece for Korean cymbal in water: an ecstatic composition recorded and played outdoor by Phil Corner; acousmatic interjections of metallic resonances and subtle water sounds; you can listen the distant sound of the midnight bell of San Marco in Venice.
On the second side the track "Gong/Ear" recorded in June 1990 (S.Andrea di Rovereto, Italy) Phil Corner plays gong together with rain and thunder for an abstracted and strongly emotional track.
Followed by "I Respiri/The Breaths" an avant-garde composition for alphorn and gong recorded in 1992 (at Teatro Scandicci).
In very few words, Philip Corner is one of the most important figure in the American avant-garde.